10 Amazing Madhu song by Fadil, mubashir and muflih etc

Mappila tunes have been available for use for more than seven centuries, with the main dated work Muhyidheen Mala atrributed to Qadi Muhammad in 1607 AD. From there on countless artistic materials were delivered in this medium; one authority has determined that of these in excess of 1600 things, complete or fragmentary, were known by 1976. Throughout the hundreds of years, different sorts of Mappila Pattu were formed, as per the strict and political environmental factors in the lives of the Mappilas of Malabar. The early hundreds of years were principally founded on reverential works, while the frontier time was set apart by the fight melody sort called Padappattu. Different classifications additionally developed during the hundreds of years with subjects extending from sentimental melodies and marriage tunes to philosophical thoughts, ocean travels and even flood trials.




The mala class of Mappila tunes, for the most part written in Arabi-Malayalam content are gestures of recognition of devout characters of Islam who should have increased high profound status. For the most part, however most such works were themed on the lives of Sufi holy people (Auliya) . The majority of these melodies describe "superhuman" deeds of these holy people. The melodies got mainstream in a period when Sufism increased a solid traction among the Mappilas. Each Mala frequently related to the pioneer of a Sufi request called Thareeqath, who was richly showered acclaims in the verse, regularly well-surpassing the constraints of human capacities. Famous among these are the Muhyidheen Mala, the Rifa'i mala, the Shaduli Mala, the Ajmeer Mala, and the Nafeesath mala. Every one of these related to their separate Sufi requests while the latter is about Nafeesathul Misriyya, a lady Sufi holy person of Egypt all the more generally known as Sayyida Nafeesa.




The seventeenth century additionally saw the organization of other well known works in the Malappattu class, in particular the Rifai Mala (1623) by Ahammadul Kabeer, Uswath Mala (1628) and Valiya Naseehath Mala (1674) by Manantakath Kunhikoya Thangal